See Through: Mirrors and Windows in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the camera lens and again by the border of a mirror or window. By refracting and distorting, revealing and concealing, these reflective and transparent surfaces both draw attention to the photographer’s efforts to frame the world and expose the contingent nature of reality. Highlights from the exhibition include works by Eugène Atget, Robert Doisneau, Elliott Erwitt, Walker Evans, André Kertész, Joanne Leonard, Danny Lyon, and Joel Meyerowitz. By extending the limits of perception, these witty and provocative works invite us to see [through to] new visual possibilities.
Lead support for See Through: Windows and Mirrors in Twentieth-Century Photography is provided by the Herbert W. and Susan L. Johe Endowment.